Eurydice by Ocean Vuong

It’s more like the sound
a doe makes
when the arrowhead
replaces the day
with an answer to the rib’s
hollowed hum. We saw it coming
but kept walking through the hole
in the garden. Because the leaves
were bright green & the fire
only a pink brushstroke
in the distance. It’s not
about the light—but how dark
it makes you depending
on where you stand.
Depending on where you stand
his name can appear like moonlight
shredded in a dead dog’s fur.
His name changed when touched
by gravity. Gravity breaking
our kneecaps just to show us
the sky. We kept saying Yes—
even with all those birds.
Who would believe us
now? My voice cracking
like bones inside the radio.
Silly me. I thought love was real
& the body imaginary.
But here we are—standing
in the cold field, him calling
for the girl. The girl
beside him. Frosted grass
snapping beneath her hooves.

Why I Like the Hospital by Tony Hoagland

Because it is all right to be in a bad mood there,

slouching along through the underground garage,

riding wordlessly on the elevator with the other customers,

staring at the closed beige doors like a prison wall.

I like the hospital for the way it grants permission for pathos

—the mother with cancer deciding how to tell her kids,

the bald girl gazing downward at the shunt

installed above her missing breast,

the crone in her pajamas, walking with an IV pole.

I don't like the smell of antiseptic,

or the air-conditioning set on high all night,

or the fresh flowers tossed into the wastebasket,

but I like the way some people on their plastic chairs

break out a notebook and invent a complex scoring system

to tally up their days on earth,

the column on the left that says, Times I Acted Like a Fool,

facing the column on the right that says, Times I Acted Like a Saint.

I like the long prairie of the waiting;

the forced intimacy of the self with the self;

each sick person standing in the middle of a field,

like a tree wondering what happened to the forest.

And once I saw a man in a lime-green dressing gown,

hunched over in a chair; a man who was not

yelling at the doctors, or pretending to be strong,

or making a murmured phone call to his wife,

but one sobbing without shame,

pumping it all out from the bottom of the self,

the overflowing bilge of helplessness and rage,

a man no longer expecting to be saved,

but if you looked, you could see

that he was holding his own hand in sympathy,

listening to every single word,

and he was telling himself everything.